{"id":76842,"date":"2023-09-12T23:45:49","date_gmt":"2023-09-13T06:45:49","guid":{"rendered":"https:\/\/lavyon.com\/?p=76842"},"modified":"2023-09-12T23:45:49","modified_gmt":"2023-09-13T06:45:49","slug":"chim-dam-vao-khong-gian-am-nhac-co-dien-voi-maxime-zecchini-chuong-vu","status":"publish","type":"post","link":"https:\/\/lavyon.com\/vi\/chim-dam-vao-khong-gian-am-nhac-co-dien-voi-maxime-zecchini-chuong-vu\/","title":{"rendered":"Ch\u00ecm \u0111\u1eafm v\u00e0o kh\u00f4ng gian \u00e2m nh\u1ea1c c\u1ed5 \u0111i\u1ec3n v\u1edbi Maxime Zecchini & Ch\u01b0\u01a1ng V\u0169"},"content":{"rendered":"

\u0110\u00eam nh\u1ea1c c\u1ed5 \u0111i\u1ec3n \u201cDuo piano & violon : Maxime Zecchini & Ch\u01b0\u01a1ng V\u0169\u201d h\u1ee9a h\u1eb9n s\u1ebd mang \u0111\u1ebfn cho c\u00f4ng ch\u00fang m\u1ed9t tr\u1ea3i nghi\u1ec7m \u0111\u1ed9c \u0111\u00e1o qua c\u00e1c t\u00e1c ph\u1ea9m l\u1ea7n \u0111\u1ea7u \u0111\u01b0\u1ee3c bi\u1ec3u di\u1ec5n tr\u00ean th\u1ebf gi\u1edbi v\u00e0 t\u1ea1i Vi\u1ec7t Nam v\u1edbi l\u1ed1i ch\u01a1i \u0111\u1ea7y c\u1ea3m x\u00fac v\u00e0 k\u1ef9 thu\u1eadt b\u1eadc th\u1ea7y c\u1ee7a nh\u1eefng ng\u01b0\u1eddi ngh\u1ec7 s\u0129 \u0111\u1ebfn t\u1eeb 2 n\u1ec1n v\u0103n h\u00f3a Ph\u00e1p – Vi\u1ec7t:\u00a0 Maxime Zecchini (piano) & Ch\u01b0\u01a1ng V\u0169 (violon).<\/em><\/strong><\/p>\n

Xuy\u00ean su\u1ed1t ch\u01b0\u01a1ng tr\u00ecnh, kh\u00e1n gi\u1ea3 s\u1ebd \u0111\u01b0\u1ee3c th\u01b0\u1edfng th\u1ee9c nh\u1eefng t\u00e1c ph\u1ea9m kinh \u0111i\u1ec3n c\u1ee7a Saint-Sa\u00ebns, Debussy, Ravel c\u00f9ng c\u00e1c nh\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi Ph\u00e1p v\u00e0 Vi\u1ec7t Nam kh\u00e1c.<\/p>\n

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M\u1edf \u0111\u1ea7u \u0111\u00eam nh\u1ea1c s\u1ebd l\u00e0 t\u00e1c ph\u1ea9m “Mon c\u0153ur s’ouvre \u00e0 ta voix”<\/em> tr\u00edch t\u1eeb v\u1edf opera \u201cSamson v\u00e0 Delilah\u201d<\/em> (1877), t\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng nh\u1ea5t trong s\u1ed1 13 v\u1edf opera c\u1ee7a Camille Saint-Sa\u00ebns. L\u00e0 m\u1ed9t trong nh\u1eefng nh\u00e0 so\u1ea1n nh\u1ea1c quan tr\u1ecdng c\u1ee7a \u00e2m nh\u1ea1c Ph\u00e1p th\u1eddi k\u1ef3 L\u00e3ng m\u1ea1n v\u00e0 l\u00e0 ng\u01b0\u1eddi c\u00f3 m\u1ed1i l\u01b0\u01a1ng duy\u00ean \u0111\u1eb7c bi\u1ec7t v\u1edbi Vi\u1ec7t Nam, s\u00e1ng t\u00e1c c\u1ee7a Camille Saint-Sa\u00ebns ch\u1eafc ch\u1eafn s\u1ebd mang l\u1ea1i cho kh\u00e1n gi\u1ea3 m\u1ed9t tr\u1ea3i nghi\u1ec7m \u00fd ngh\u0129a v\u00e0 \u0111\u1ea7y c\u1ea3m x\u00fac.<\/p>\n

N\u1ed1i ti\u1ebfp ch\u01b0\u01a1ng tr\u00ecnh, b\u1ed9 3 t\u00e1c ph\u1ea9m piano \u0111\u1ed9c t\u1ea5u kinh \u0111i\u1ec3n c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c Ph\u00e1p Claude Debussy:\u201cClair de lune\u201d (1905)<\/em>, \u201cLa fille aux cheveux de lin\u201d <\/em>c\u00f9ng “La s\u00e9r\u00e9nade interrompue” <\/em>t\u1eeb t\u1eadp Preludes th\u1ee9 nh\u1ea5t (1910) s\u1ebd t\u1ea1o ra hi\u1ec7u \u1ee9ng \u0111\u1ed1i l\u1eadp gi\u1eefa kh\u00f4ng gian l\u00e3ng m\u1ea1n c\u1ee7a Saint-Sa\u00ebns v\u00e0 ch\u1ea5t hi\u1ec7n \u0111\u1ea1i \u0111\u1eb7c tr\u01b0ng c\u1ee7a Debussy. \u0110\u01b0\u1ee3c trao t\u1eb7ng hu\u00e2n ch\u01b0\u01a1ng Hi\u1ec7p s\u0129 B\u1eafc \u0111\u1ea9u b\u1ed9i tinh, hu\u00e2n ch\u01b0\u01a1ng cao qu\u00fd nh\u1ea5t c\u1ee7a Nh\u00e0 n\u01b0\u1edbc Ph\u00e1p n\u0103m 1903, qu\u1ea3 kh\u00f4ng ngoa khi n\u00f3i Claude Debussy l\u00e0 m\u1ed9t trong nh\u1eefng nh\u00e0 so\u1ea1n nh\u1ea1c c\u00f3 \u1ea3nh h\u01b0\u1edfng nh\u1ea5t v\u00e0o cu\u1ed1i th\u1ebf k\u1ef7 19 v\u00e0 \u0111\u1ea7u th\u1ebf k\u1ef7 20.<\/p>\n

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Th\u1eddi b\u00e1o S\u00e0i G\u00f2n Times vi\u1ebft r\u1eb1ng \u201cCh\u01b0\u01a1ng V\u0169 l\u00e0 m\u1ed9t ngh\u1ec7 s\u0129 \u0111\u00e1ng \u0111\u01b0\u1ee3c tr\u00e2n tr\u1ecdng. Anh kh\u00f4ng ch\u1ec9 s\u1edf h\u1eefu m\u1ed9t ti\u1ebfng \u0111\u00e0n \u0111\u1eb9p v\u00e0 k\u1ef9 thu\u1eadt \u0111i\u00eau luy\u1ec7n, m\u00e0 c\u00f2n bi\u1ec3u di\u1ec5n v\u1edbi m\u1ed9t ni\u1ec1m \u0111am m\u00ea \u00e2m nh\u1ea1c hi\u1ebfm c\u00f3.\u201d<\/figcaption><\/figure>\n

Nh\u1eafc \u0111\u1ebfn ch\u1ea5t hi\u1ec7n \u0111\u1ea1i \u0111\u1eb7c tr\u01b0ng c\u1ee7a tr\u01b0\u1eddng ph\u00e1i \u00e2m nh\u1ea1c \u1ea4n t\u01b0\u1ee3ng, b\u00ean c\u1ea1nh Debussy, ch\u00fang ta kh\u00f4ng th\u1ec3 kh\u00f4ng nh\u1eafc \u0111\u1ebfn m\u1ed9t \u0111\u1ea1i di\u1ec7n ti\u00eau bi\u1ec3u kh\u00e1c, ch\u00ednh l\u00e0 nh\u00e0 so\u1ea1n nh\u1ea1c Ph\u00e1p l\u1eebng danh, Maurice Ravel. Trong \u0111\u00eam nh\u1ea1c n\u00e0y, b\u1ea3n \u201c<\/em>B\u1ea3n concerto cho tay tr\u00e1i cung R\u00ea tr\u01b0\u1edfng<\/em>\u201d (1930) c\u1ee7a Maurice Ravel s\u1ebd \u0111\u01b0\u1ee3c c\u00f4ng di\u1ec5n l\u1ea7n \u0111\u1ea7u ti\u00ean t\u1ea1i Vi\u1ec7t Nam v\u1edbi l\u1ed1i ch\u01a1i k\u1ef9 thu\u1eadt b\u1eadc th\u1ea7y c\u1ee7a ngh\u1ec7 s\u0129 piano ng\u01b0\u1eddi Ph\u00e1p, Maxime Zecchini. T\u00e1c ph\u1ea9m \u0111\u1eb7c bi\u1ec7t n\u00e0y \u0111\u01b0\u1ee3c Ravel vi\u1ebft t\u1eb7ng ngh\u1ec7 s\u0129 piano Paul Wittgenstein – ng\u01b0\u1eddi kh\u00f4ng may m\u1ea5t c\u00e1nh tay ph\u1ea3i trong Th\u1ebf chi\u1ebfn th\u1ee9 Nh\u1ea5t. C\u00f3 th\u1ec3 n\u00f3i b\u1ea3n concerto n\u00e0y l\u00e0 m\u1ed9t \u0111i\u1ec3m s\u00e1ng ch\u00f3i l\u1ecdi trong s\u1ef1 nghi\u1ec7p \u00e2m nh\u1ea1c c\u1ee7a Maurice Ravel.<\/p>\n

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\u201cNgay t\u1eeb \u0111\u1ea7u, ta \u0111\u00e3 b\u1ecb m\u00ea ho\u1eb7c b\u1edfi s\u1ef1 \u0111i\u00eau luy\u1ec7n c\u1ee7a b\u00e0n tay tr\u00e1i, khi\u1ebfn ta t\u01b0\u1edfng nh\u01b0 \u0111ang nghe m\u01b0\u1eddi ng\u00f3n tay l\u01b0\u1edbt tr\u00ean ph\u00edm \u0111\u00e0n v\u1edbi t\u1ed1c \u0111\u1ed9 c\u1ef1c nhanh, t\u1eeb c\u1ef1c tr\u1ea7m \u0111\u1ebfn c\u1ef1c cao, nh\u00e2n l\u00ean nh\u1eefng l\u1edbp lang \u00e2m thanh v\u00e0 ti\u1ebfp n\u1ed1i v\u1edbi nh\u1eefng qu\u00e3ng k\u1ecbch t\u00ednh m\u1ed9t c\u00e1ch nh\u1eb9 nh\u00e0ng, thanh tho\u00e1t.\u201d – Sarah L\u00e9on, t\u1ea1p ch\u00ed \u00e2m nh\u1ea1c Classica vi\u1ebft v\u1ec1 Maxime Zecchini.<\/figcaption><\/figure>\n

Ti\u1ebft m\u1ee5c cu\u1ed1i c\u00f9ng trong ph\u1ea7n \u0111\u1ea7u c\u1ee7a \u0111\u00eam nh\u1ea1c l\u00e0 b\u1ed9 ba t\u00e1c ph\u1ea9m c\u1ee7a gi\u1ecdng ca huy\u1ec1n tho\u1ea1i Ph\u00e1p – \u00c9dith Piaf: \u201cL’Hymne \u00e0 l’amour\u201d (1950)<\/em>, \u201cJe ne regrette rien\u201d (1956) <\/em>v\u00e0 \u201cLa vie en rose\u201d (1947) <\/em>\u0111\u01b0\u1ee3c ch\u00ednh Maxime Zecchini chuy\u1ec3n so\u1ea1n cho piano \u0111\u1ed9c t\u1ea5u v\u00e0 l\u1ea7n \u0111\u1ea7u ti\u00ean \u0111\u01b0\u1ee3c c\u00f4ng di\u1ec5n t\u1ea1i Vi\u1ec7t Nam.<\/p>\n

Ph\u1ea7n th\u1ee9 hai c\u1ee7a \u0111\u00eam nh\u1ea1c s\u1ebd b\u1eaft \u0111\u1ea7u v\u1edbi b\u1ea3n \u201c<\/em>Fantasy vi\u1ebft cho violon v\u00e0 piano<\/em>\u201d (2023) c\u1ee7a nh\u1ea1c s\u0129 Vi\u1ec7t Nam, V\u0169 Vi\u1ec7t Anh. Sinh ra trong gia \u0111\u00ecnh c\u00f3 truy\u1ec1n th\u1ed1ng ngh\u1ec7 thu\u1eadt v\u00e0 n\u1ed5i ti\u1ebfng t\u1eeb r\u1ea5t s\u1edbm v\u1edbi c\u00e1c b\u1ea3n pop mang \u00e2m h\u01b0\u1edfng l\u00e3ng m\u1ea1n, tr\u1eef t\u00ecnh, tuy nhi\u00ean trong nh\u1eefng n\u0103m g\u1ea7n \u0111\u00e2y, \u0111i\u1ec1u khi\u1ebfn nh\u1ea1c s\u0129 Vi\u1ec7t Anh \u0111\u01b0\u1ee3c c\u1ea3 c\u00f4ng ch\u00fang l\u1eabn gi\u1edbi chuy\u00ean m\u00f4n \u0111\u1eb7c bi\u1ec7t \u0111\u00e1nh gi\u00e1 cao l\u1ea1i ch\u00ednh l\u00e0 c\u00e1c t\u00e1c ph\u1ea9m kh\u00ed nh\u1ea1c mang m\u00e0u s\u1eafc \u00e2m nh\u1ea1c c\u1ed5 \u0111i\u1ec3n h\u00e0n l\u00e2m.<\/p>\n

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T\u00e1c ph\u1ea9m \u201cPo\u00e8me, Op. 25\u201d<\/em> (1896) c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c Ernest Chausson \u0111\u01b0\u1ee3c ch\u00ednh b\u1ea1n th\u00e2n c\u1ee7a \u00f4ng l\u00e0 Eugene Ysaye – ngh\u1ec7 s\u0129 violon huy\u1ec1n tho\u1ea1i ch\u01a1i trong bu\u1ed5i c\u00f4ng di\u1ec5n \u0111\u1ea7u ti\u00ean c\u1ee7a t\u00e1c ph\u1ea9m n\u00e0y. Cho \u0111\u1ebfn nay, \u201cPo\u00e8me\u201d <\/em>v\u1eabn l\u00e0 s\u00e1ng t\u00e1c \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn nhi\u1ec1u nh\u1ea5t v\u00e0 \u0111\u01b0\u1ee3c y\u00eau th\u00edch nh\u1ea5t c\u1ee7a nh\u00e0 so\u1ea1n nh\u1ea1c ng\u01b0\u1eddi Ph\u00e1p t\u00e0i n\u0103ng Ernest Chausson.<\/p>\n

K\u1ebft th\u00fac bu\u1ed5i bi\u1ec3u di\u1ec5n, Maxime Zecchini v\u00e0 Ch\u01b0\u01a1ng V\u0169 s\u1ebd mang t\u1edbi cho kh\u00e1n th\u00ednh gi\u1ea3 nh\u1eefng giai \u0111i\u1ec7u \u0111\u1ea7y k\u1ecbch t\u00ednh v\u00e0 da di\u1ebft c\u1ee7a \u201cFantaisie sur Carmen, op.<\/a> 25\u201d (Carmen Fantasy)<\/em> c\u1ee7a Pablo de Sarasate vi\u1ebft cho violon v\u00e0 piano l\u1ea5y c\u1ea3m h\u1ee9ng v\u1edf opera kinh \u0111i\u1ec3n Carmen c\u1ee7a Bizet, qua \u0111\u00f3 ph\u00f4 di\u1ec5n ng\u00f3n \u0111\u00e0n \u0111i\u00eau luy\u1ec7n v\u00e0 c\u1ea3m x\u00fac tinh t\u1ebf c\u1ee7a hai ngh\u1ec7 s\u0129 Ph\u00e1p – Vi\u1ec7t t\u00e0i n\u0103ng.<\/p>\n

Ngo\u00e0i ra, ch\u01b0\u01a1ng tr\u00ecnh c\u00f2n \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c trong khu\u00f4n kh\u1ed5 tour l\u01b0u di\u1ec5n t\u1ea1i 5 th\u00e0nh ph\u1ed1 c\u1ee7a Vi\u1ec7t Nam:<\/p>\n

14\/09\/2023 : Erato, TP. H\u1ed3 Ch\u00ed Minh.<\/strong><\/p>\n

15\/09\/2023 : IDECAF, TP. H\u1ed3 Ch\u00ed Minh.<\/strong><\/p>\n

16\/09\/2023 : Ph\u1ed1 b\u00ean \u0111\u1ed3i Creative Studio, \u0110\u00e0 L\u1ea1t.<\/strong><\/p>\n

17\/09\/2023 : Novotel, \u0110\u00e0 N\u1eb5ng.<\/strong><\/p>\n

20\/09\/2023 : H\u1ecdc vi\u1ec7n \u00c2m nh\u1ea1c Hu\u1ebf, Hu\u1ebf.<\/strong><\/p>\n

22\/09\/2023 : Tr\u01b0\u1eddng Ph\u00e1p Alexandre Yersin, H\u00e0 N\u1ed9i.<\/strong><\/p>\n\n\n\n
\n

\u0110\u00caM NH\u1ea0C C\u1ed4 \u0110I\u1ec2N SONG T\u1ea4U PIANO & VIOLON: <\/strong>MAXIME ZECCHINI & CH\u01af\u01a0NG V\u0168<\/strong><\/p>\n

\u0110\u1ecba \u0111i\u1ec3m:<\/strong> S\u00e2n kh\u1ea5u Idecaf, 31 Th\u00e1i V\u0103n Lung, Qu\u1eadn 1, Th\u00e0nh Ph\u1ed1 H\u1ed3 Ch\u00ed Minh.<\/strong><\/p>\n

Mua v\u00e9 tr\u1ef1c tuy\u1ebfn: https:\/\/ticketbox.vn\/event\/ho-chi-minh-maxime-zecchini-chuong-vu-88168<\/a><\/u><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u0110\u00eam nh\u1ea1c c\u1ed5 \u0111i\u1ec3n \u201cDuo piano & violon : Maxime Zecchini & Ch\u01b0\u01a1ng V\u0169\u201d h\u1ee9a h\u1eb9n s\u1ebd mang \u0111\u1ebfn cho c\u00f4ng ch\u00fang m\u1ed9t tr\u1ea3i nghi\u1ec7m \u0111\u1ed9c \u0111\u00e1o qua c\u00e1c t\u00e1c ph\u1ea9m l\u1ea7n \u0111\u1ea7u \u0111\u01b0\u1ee3c bi\u1ec3u di\u1ec5n tr\u00ean th\u1ebf gi\u1edbi v\u00e0 t\u1ea1i Vi\u1ec7t Nam v\u1edbi l\u1ed1i ch\u01a1i \u0111\u1ea7y c\u1ea3m x\u00fac v\u00e0 k\u1ef9 thu\u1eadt b\u1eadc th\u1ea7y c\u1ee7a […]<\/p>\n","protected":false},"author":23,"featured_media":76860,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13308,60],"tags":[33978,33981,16648,33977,33089,33980,33979],"class_list":{"0":"post-76842","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-hot-pot","8":"category-tin-tuc","9":"tag-chuong-vu","10":"tag-dem-nhac-co-dien","11":"tag-lavyon","12":"tag-maxime-zecchini","13":"tag-piano","14":"tag-van-hoa-phap-viet","15":"tag-violon"},"_links":{"self":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts\/76842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/comments?post=76842"}],"version-history":[{"count":0,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts\/76842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/media\/76860"}],"wp:attachment":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/media?parent=76842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/categories?post=76842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/tags?post=76842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}