{"id":95717,"date":"2024-10-22T20:08:35","date_gmt":"2024-10-23T03:08:35","guid":{"rendered":"https:\/\/lavyon.com\/?p=95717"},"modified":"2024-10-22T20:22:03","modified_gmt":"2024-10-23T03:22:03","slug":"vo-kich-nhung-than-the-nhiem-doc-marine-bachelot-nguyen","status":"publish","type":"post","link":"https:\/\/lavyon.com\/vi\/vo-kich-nhung-than-the-nhiem-doc-marine-bachelot-nguyen\/","title":{"rendered":"V\u1edf k\u1ecbch: NH\u1eeeNG TH\u00c2N TH\u1ec2 NHI\u1ec4M \u0110\u1ed8C – Marine Bachelot Nguyen"},"content":{"rendered":"

Vi\u1ec7n Ph\u00e1p t\u1ea1i Vi\u1ec7t Nam v\u00e0 Lumi\u00e8re d\u2019ao\u00fbt tr\u00e2n tr\u1ecdng gi\u1edbi thi\u1ec7u V\u1edf k\u1ecbch NH\u1eeeNG TH\u00c2N TH\u1ec2 NHI\u1ec4M \u0110\u1ed8C c\u1ee7a \u0110\u1ea1o di\u1ec5n Marine Bachelot Nguy\u1ec5n, d\u1ef1a theo c\u00e2u chuy\u1ec7n v\u1ec1 cu\u1ed9c \u0111\u1eddi b\u00e0 Tr\u1ea7n T\u1ed1 Nga, \u0111\u00e3 \u0111\u01b0\u1ee3c c\u00f4ng di\u1ec5n t\u1ea1i Festival Avignon danh gi\u00e1.<\/i><\/b><\/p>\n

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B\u00e0 Tr\u1ea7n T\u1ed1 Nga<\/figcaption><\/figure>\n

Th\u1eddi gian: <\/b>19h30<\/span>, ng\u00e0y 05\/11\/2024<\/span><\/p>\n

\u0110\u1ecba \u0111i\u1ec3m: <\/b>IDECAF, 28 L\u00ea Th\u00e1nh T\u00f4n, Q.1, TP. HCM<\/span><\/p>\n

Mua v\u00e9 t\u1ea1i:<\/b> Ticket Box<\/span><\/a><\/p>\n

Link s\u1ef1 ki\u1ec7n<\/span><\/a><\/p>\n

Ph\u1ee5 \u0111\u1ec1: <\/b>Ph\u00e1p – Vi\u1ec7t<\/span><\/p>\n

Th\u1eddi l\u01b0\u1ee3ng:<\/b> 1h20\u2019<\/span><\/p>\n

\u0110\u1ed1i t\u01b0\u1ee3ng: <\/b>tr\u00ean 15 tu\u1ed5i.\u00a0<\/span><\/p>\n

V\u1edf k\u1ecbch \u0111\u1ed3ng th\u1eddi s\u1ebd \u0111\u01b0\u1ee3c c\u00f4ng di\u1ec5n t\u1ea1i:<\/span><\/p>\n

– \u0110\u00e0 N\u1eb5ng, 09.11.2024, Nh\u00e0 h\u00e1t Tu\u1ed3ng Nguy\u1ec5n Hi\u1ec3n D\u0129nh,\u00a0<\/span><\/p>\n

– H\u00e0 N\u1ed9i, 15.11.2024, Tr\u01b0\u1eddng Ph\u00e1p Alexandre Yersin.<\/span><\/p>\n

\u201cM\u1ee5c ti\u00eau c\u1ee7a t\u00f4i, v\u1edbi t\u01b0 c\u00e1ch l\u00e0 t\u00e1c gi\u1ea3, l\u00e0 t\u1ea1o ra m\u1ed9t m\u00e0n \u0111\u1ed9c tho\u1ea1i truy\u1ec1n c\u1ea3m v\u00e0 \u0111\u1ed9c \u0111\u00e1o, t\u00e1i hi\u1ec7n xuy\u00ean su\u1ed1t c\u00e1c th\u1eddi \u0111\u1ea1i, t\u1ea1o ra nh\u1eefng c\u1ea7u n\u1ed1i v\u00e0 nh\u1eefng \u0111i\u1ec1u b\u1ea5t ng\u1edd: \u0111i\u1ec1u khi\u1ebfn t\u00f4i quan t\u00e2m kh\u00f4ng ph\u1ea3i l\u00e0 b\u1ed9 phim ti\u1ec3u s\u1eed \u0111\u01b0\u1ee3c th\u1ea7n th\u00e1nh h\u00f3a m\u00e0 l\u00e0 c\u00e1ch m\u00e0 c\u01a1 th\u1ec3 v\u00e0 t\u00e2m h\u1ed3n c\u1ee7a ng\u01b0\u1eddi ph\u1ee5 n\u1eef n\u00e0y s\u1ebd k\u1ec3 c\u00e2u chuy\u1ec7n cho kh\u00e1n gi\u1ea3. L\u00e0m th\u1ebf n\u00e0o m\u00e0 l\u1ecbch s\u1eed v\u00e0 th\u1ebf gi\u1edbi l\u1ea1i lu\u00e2n chuy\u1ec3n trong c\u01a1 th\u1ec3 \u1ea5y, trong t\u1eebng t\u1ebf b\u00e0o v\u00e0 c\u1ea3 trong tr\u00ed t\u01b0\u1edfng t\u01b0\u1ee3ng c\u1ee7a b\u00e0.\u201d – Marine Bachelot Nguyen (Bi\u00ean k\u1ecbch v\u00e0 \u0111\u1ea1o di\u1ec5n).\u00a0<\/span><\/i><\/p>\n

V\u1ec0 <\/b>V\u1ede K\u1ecaCH \u201cNH\u1eeeNG TH\u00c2N TH\u1ec2 NHI\u1ec4M \u0110\u1ed8C\u201d<\/b>:<\/b><\/p>\n

Ang\u00e9lica-Kiyomi Tisseyre S\u00e9kin\u00e9, n\u1eef di\u1ec5n vi\u00ean tr\u1ebb ng\u01b0\u1eddi Ph\u00e1p g\u1ed1c Nh\u1eadt – Vi\u1ec7t, c\u00f4 th\u1ee7 vai nh\u00e2n v\u1eadt Tr\u1ea7n T\u1ed1 Nga, th\u1ec3 hi\u1ec7n \u0111\u1ed3ng th\u1eddi c\u1ea3 vai c\u1ee7a b\u00e0 trong qu\u00e1 kh\u1ee9 l\u1eabn trong nhi\u1ec1u th\u1eddi \u0111i\u1ec3m c\u1ee7a cu\u1ed9c \u0111\u1eddi b\u00e0.<\/span><\/p>\n

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Ang\u00e9lica Kiyomi Tisseyre-S\u00e9kin\u00e9<\/figcaption><\/figure>\n

V\u1edf di\u1ec5n t\u00e1i hi\u1ec7n nhi\u1ec1u m\u1ed1c th\u1eddi gian, \u0111\u1ed9 tu\u1ed5i kh\u00e1c nhau v\u00e0 cho kh\u00e1n gi\u1ea3 th\u1ea5y \u0111\u01b0\u1ee3c s\u1ef1 kh\u00e1c bi\u1ec7t c\u1ee7a t\u1eebng th\u1eddi k\u1ef3. Khi \u0111\u00f3ng v\u1edf k\u1ecbch n\u00e0y, Ang\u00e9lica c\u00f3 \u0111\u1ed9 tu\u1ed5i b\u1eb1ng v\u1edbi nh\u00e2n v\u1eadt Tr\u1ea7n T\u1ed1 Nga khi b\u00e0 l\u00e0 chi\u1ebfn s\u0129 \u1edf v\u00f9ng du k\u00edch, c\u0169ng nh\u01b0 b\u1eb1ng tu\u1ed5i c\u1ee7a r\u1ea5t nhi\u1ec1u thanh thi\u1ebfu ni\u00ean c\u1ee7a H\u1ed9i n\u1ea1n nh\u00e2n ch\u1ea5t \u0111\u1ed9c da cam dioxin Vi\u1ec7t Nam.<\/span><\/p>\n

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V\u1edf k\u1ecbch \u0111\u01b0\u1ee3c tr\u00ecnh di\u1ec5n t\u1ea1i c\u00e1c nh\u00e0 h\u00e1t v\u00e0 s\u00e2n kh\u1ea5u l\u1edbn nh\u1ecf kh\u00e1c nhau, v\u1edbi h\u1ec7 th\u1ed1ng ph\u1ed1i c\u1ea3nh, video v\u00e0 \u00e1nh s\u00e1ng c\u1ea7u k\u1ef3 nh\u01b0ng v\u1eabn gi\u1eef ph\u1ea7n trang nh\u00e3 v\u00e0 gi\u1ea3n d\u1ecb.<\/span><\/p>\n

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C\u00e1c video \u0111\u01b0\u1ee3c t\u1ea1o d\u1ef1ng b\u1eb1ng c\u00e1ch k\u1ebft h\u1ee3p nh\u1eefng h\u00ecnh \u1ea3nh t\u01b0 li\u1ec7u c\u1ee7a c\u1ea3 x\u01b0a v\u00e0 nay, nh\u1eefng h\u00ecnh \u1ea3nh trong c\u00e1c cu\u1ed9c ph\u1ecfng v\u1ea5n c\u1ee7a b\u00e0 Tr\u1ea7n T\u1ed1 Nga, \u0111\u01b0\u1ee3c ch\u1ecdn l\u1ecdc v\u00e0 trau chu\u1ed1t \u0111\u1ec3 ph\u00f9 h\u1ee3p v\u1edbi vai di\u1ec5n c\u1ee7a ng\u01b0\u1eddi ngh\u1ec7 s\u0129, mang l\u1ea1i nhi\u1ec1u c\u1ea3m gi\u00e1c m\u1edbi cho v\u1edf k\u1ecbch b\u1eb1ng ngh\u1ec7 thu\u1eadt s\u1eafp \u0111\u1eb7t \u0111\u1ea1o c\u1ee5 k\u1ebft h\u1ee3p c\u00f9ng \u00e2m thanh v\u00e0 h\u00ecnh \u1ea3nh.<\/span><\/p>\n

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T\u00f3m t\u1eaft n\u1ed9i dung:\u00a0<\/b><\/p>\n

M\u1ed9t v\u1edf k\u1ecbch, m\u1ed9t di\u1ec5n vi\u00ean v\u00e0 m\u1ed9t th\u01b0\u1edbc phim.<\/span><\/i><\/p>\n

Nh\u1eefng th\u00e2n th\u1ec3 nhi\u1ec5m \u0111\u1ed9c<\/span><\/i> d\u1eabn d\u1eaft kh\u00e1n gi\u1ea3 \u0111\u1eafm ch\u00ecm v\u00e0o c\u00e2u chuy\u1ec7n c\u1ee7a b\u00e0 Tr\u1ea7n T\u1ed1 Nga, m\u1ed9t ng\u01b0\u1eddi ph\u1ee5 n\u1eef Vi\u1ec7t Nam su\u1ed1t \u0111\u1eddi d\u1ea5n th\u00e2n v\u00e0o nhi\u1ec1u cu\u1ed9c chi\u1ebfn: ch\u1ed1ng l\u1ea1i ch\u1ee7 ngh\u0129a \u0111\u1ebf qu\u1ed1c, b\u1ea3o v\u1ec7 n\u1eef quy\u1ec1n, b\u1ea3o v\u1ec7 h\u1ec7 sinh th\u00e1i\u2026<\/span><\/p>\n

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L\u00e0 m\u1ed9t chi\u1ebfn s\u0129 kh\u00e1ng chi\u1ebfn tr\u1ebb tu\u1ed5i \u1edf v\u00f9ng du k\u00edch trong chi\u1ebfn tranh Vi\u1ec7t Nam, b\u00e0 c\u0169ng nh\u01b0 r\u1ea5t nhi\u1ec1u n\u1ea1n nh\u00e2n kh\u00e1c \u0111\u00e3 b\u1ecb ph\u01a1i nhi\u1ec5m ch\u1ea5t \u0111\u1ed9c m\u00e0u da cam c\u1ee7a M\u1ef9. Ng\u00e0y nay, t\u1ea1i Ph\u00e1p, b\u00e0 d\u1eabn \u0111\u1ea7u m\u1ed9t phi\u00ean t\u00f2a l\u1ecbch s\u1eed ch\u1ed1ng l\u1ea1i c\u00e1c c\u00f4ng ty h\u00f3a ch\u1ea5t M\u1ef9, \u0111\u1ec3 t\u1ed1 c\u00e1o s\u1ef1 t\u00e0n ph\u00e1 c\u1ee7a ch\u1ea5t \u0111\u1ed9c n\u00e0y \u0111\u1ed1i v\u1edbi c\u00e1c lo\u00e0i sinh v\u1eadt v\u00e0 \u0111\u1ea5t \u0111ai.<\/span><\/p>\n

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\u0110\u01b0\u1ee3c h\u00f3a th\u00e2n b\u1edfi m\u1ed9t n\u1eef di\u1ec5n vi\u00ean tr\u1ebb, c\u00e2u chuy\u1ec7n \u0111\u01b0\u1ee3c k\u1ec3 \u0111an xen v\u1edbi c\u00e1c ph\u1ea7n tr\u00ecnh di\u1ec5n, v\u0103n b\u1ea3n, video, h\u00ecnh \u1ea3nh v\u1ec1 cu\u1ed9c \u0111\u1eddi c\u1ee7a Tr\u1ea7n T\u1ed1 Nga. V\u1edf k\u1ecbch t\u00e1i hi\u1ec7n h\u00ecnh \u1ea3nh nh\u1eefng con ng\u01b0\u1eddi b\u1ecb t\u1ed5n th\u01b0\u01a1ng v\u00e0 b\u1ecb nhi\u1ec5m \u0111\u1ed9c b\u1edfi bi k\u1ecbch l\u1ecbch s\u1eed, nh\u01b0ng h\u1ecd lu\u00f4n ki\u00ean c\u01b0\u1eddng \u0111\u1ea5u tranh.<\/span><\/p>\n

Bi\u00ean k\u1ecbch v\u00e0 \u0111\u1ea1o di\u1ec5n: <\/b>Marine Bachelot Nguyen\u00a0<\/span><\/p>\n

Di\u1ec5n vi\u00ean: <\/b>Ang\u00e9lica-Kiyomi Tisseyre-S\u00e9kin\u00e9\u00a0<\/span><\/p>\n

V\u1edbi s\u1ef1 tham gia c\u1ee7a:<\/b> b\u00e0 Tr\u1ea7n T\u1ed1 Nga\u00a0<\/span><\/p>\n

Video v\u00e0 c\u1ea3nh tr\u00ed s\u00e2n kh\u1ea5u: <\/b>Julie Pareau\u00a0<\/span><\/p>\n

Thi\u1ebft k\u1ebf \u00e1nh s\u00e1ng, k\u1ef9 thu\u1eadt:<\/b> Alice Gill-Kahn\u00a0<\/span><\/p>\n

\u00c2m nh\u1ea1c: <\/b>Pierre Marais\u00a0<\/span><\/p>\n

S\u1ea3n xu\u1ea5t: <\/b>Gabrielle Jarrier<\/span>\u00a0<\/b><\/p>\n

Ph\u00e1t h\u00e0nh: <\/b>Olivier Talpaert\u00a0<\/span><\/p>\n

S\u1ea3n xu\u1ea5t:<\/b> Lumi\u00e8re d\u2019ao\u00fbt.\u00a0<\/span><\/p>\n

V\u1ec0 C\u00c1C NGH\u1ec6 S\u0128<\/b>: <\/span><\/p>\n

Ang\u00e9lica Kiyomi Tisseyre-S\u00e9kin\u00e9:<\/b> n\u1eef di\u1ec5n vi\u00ean v\u00e0 v\u0169 c\u00f4ng.<\/b><\/p>\n

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N\u0103m 2015, c\u00f4 v\u00e0o kh\u00f3a 25 c\u1ee7a tr\u01b0\u1eddng ERACM (Tr\u01b0\u1eddng \u0110\u00e0o t\u1ea1o Ngh\u1ec7 s\u0129 t\u1ea1i Cannes v\u00e0 Marseille).<\/span><\/p>\n

C\u00f4 t\u1eebng bi\u1ec3u di\u1ec5n trong v\u1edf \u201c400 coups de p\u00e9dale\u201d – \u0111\u1ea1o di\u1ec5n b\u1edfi Alexis Moati v\u00e0 Pierre Laneyrie, v\u1edf \u201cAnima\u201d- \u0111\u1ea1o di\u1ec5n b\u1edfi Karim Belkacem, v\u00e0 v\u1edf \u201cProva d’Orchestra\u201d – \u0111\u1ea1o di\u1ec5n b\u1edfi Mathieu Bauer.\u00a0<\/span><\/p>\n

\u0110am m\u00ea v\u1edbi nghi\u00ean c\u1ee9u, c\u00f4 tham gia v\u00e0o l\u1edbp h\u1ecdc c\u1ee7a:\u00a0 Alexandre del Perugia (le chemin du joueur), Yoshi Oida (l’invisible et l’energie en jeu), Yumi Fujitani (but\u00f4), Yorgos Karamelegos (physical lab), et Stephanie Lupo (po\u00e9sie performative).\u00a0<\/span><\/p>\n

C\u00f4 c\u00f2n l\u00e0 v\u0169 c\u00f4ng cho Massidi Adiatou v\u00e0 Bamoussa Diomande trong v\u1edf \u201cAutophagies\u201d, cho Aurelien Desclozeaux v\u00e0 Vusi M’doyi trong v\u1edf \u201cCabaret Blaster\u201d v\u00e0 \u201cBal Fiction\u201d, cho Anne-Sophie Lancelin trong v\u1edf \u201cThe Carny\u201d trong khu\u00f4n kh\u1ed5 c\u1ee7a RIDC.\u00a0<\/span><\/p>\n

C\u00f4 l\u00e0 ng\u01b0\u1eddi \u0111\u1ed3ng s\u00e1ng l\u1eadp LE BAIN Collectif c\u00f9ng v\u1edbi c\u00e1c di\u1ec5n vi\u00ean kh\u00e1c, v\u00e0 tham gia \u0111\u00f3ng trong \u201c72 et le proc\u00e8s de Stammheim\u201d, \u201c73 on fabrique, on vend, on se paie: une histoire des usines LIP\u201d (l\u1ecdt v\u00e0o v\u00f2ng chung k\u1ebft trong cu\u1ed9c thi Th\u00e9\u00e2tre 13, v\u00e0 gi\u00e0nh gi\u1ea3i th\u01b0\u1edfng Beaumarchais) do Anouk Darne-Tanguille \u0111\u1ea1o di\u1ec5n, ho\u1eb7c trong lo\u1ea1t phim \u201cL’Edito\u201d, chi\u1ebfu r\u1ea1p hai th\u00e1ng m\u1ed9t l\u1ea7n l\u1ea5y c\u1ea3m h\u1ee9ng t\u1eeb tin t\u1ee9c qu\u1ed1c t\u1ebf.\u00a0<\/span><\/p>\n

Trong Mabel Octobre Company, c\u00f4 bi\u1ec3u di\u1ec5n trong v\u1edf \u201cJe passe\u201d v\u00e0 \u201cDisparu.e.s.\u201d do Judith Depaule \u0111\u1ea1o di\u1ec5n, c\u1ed9ng t\u00e1c v\u1edbi Atelier des Artistes \u1edf Exils. C\u00f4 bi\u1ec3u di\u1ec5n cho Eva Doumbia v\u1edf \u201cBadine\u201d theo t\u00e1c ph\u1ea9m c\u1ee7a Alfred de Musset, v\u1edf \u201cDevoirs surveill\u00e9s\u201d – bi\u1ec3u di\u1ec5n \u1edf c\u00e1c tr\u01b0\u1eddng trung h\u1ecdc c\u01a1 s\u1edf v\u00e0 trung h\u1ecdc ph\u1ed5 th\u00f4ng, v\u1edf \u201cAutophagies\u201d bi\u1ec3u di\u1ec5n t\u1ea1i Festival Avignon n\u0103m 2021 v\u00e0 v\u1edf \u201cSelf-eaters\u201d bi\u1ec3u di\u1ec5n b\u1eb1ng ti\u1ebfng anh t\u1ea1i The Invisible Dog Art Center t\u1ea1i New York v\u00e0 Trung t\u00e2m v\u0103n h\u00f3a ngh\u1ec7 thu\u1eadt Ash\u00e9 \u1edf New Orleans.<\/span><\/p>\n

Marine Bachelot Nguyen: <\/b>\u00a0t\u00e1c gi\u1ea3 v\u00e0 \u0111\u1ea1o di\u1ec5n c\u1ee7a \u0111o\u00e0n k\u1ecbch Lumi\u00e8re d’ao\u00fbt.<\/b><\/p>\n

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MARINE BACHELOT NGUYEN<\/figcaption><\/figure>\n

Trong t\u00e1c ph\u1ea9m c\u1ee7a m\u00ecnh, c\u00f4 kh\u00e1m ph\u00e1 m\u1ed1i li\u00ean k\u1ebft gi\u1eefa ti\u1ec3u thuy\u1ebft v\u00e0 t\u00e0i li\u1ec7u, s\u1ef1 giao thoa gi\u1eefa c\u01a1 th\u1ec3 v\u00e0 ch\u00ednh tr\u1ecb, c\u00e1c c\u00e2u h\u1ecfi v\u1ec1 n\u1eef quy\u1ec1n v\u00e0 h\u1eadu thu\u1ed9c \u0111\u1ecba. C\u00f4 \u0111\u00e3 vi\u1ebft v\u00e0 d\u00e0n d\u1ef1ng c\u00e1c v\u1edf k\u1ecbch \u201cCourtes pi\u00e8ces politiques\u201d (2006), \u201cArtemisia\u201d Vulgaris (Festival Mettre en sc\u00e8ne 2008), \u201cHistoires de femmes et de lessives\u201d (2009), \u201cLa femme ce continent noir…\u201d (2010), \u201c\u00c0 la racine\u201d (Festival Mettre en sc\u00e8ne 2011) , \u201cLa place du chien\u201d (2014). V\u1edf k\u1ecbch \u201cLes ombres et les l\u00e8vres\u201d (Vi\u1ec7t Nam LGBT) c\u1ee7a c\u00f4 \u0111\u01b0\u1ee3c ch\u01b0\u01a1ng tr\u00ecnh Hors-les-Murs c\u1ee7a Vi\u1ec7n Ph\u00e1p v\u00e0 CNL t\u00e0i tr\u1ee3. C\u00f4 \u0111\u00e3 s\u00e1ng t\u00e1c v\u1edf k\u1ecbch \u0111\u00f3 t\u1ea1i Th\u00e9\u00e2tre National de Bretagne v\u00e0o n\u0103m 2016.<\/span><\/p>\n

N\u0103m 2018, c\u00f4 tr\u1edf th\u00e0nh ngh\u1ec7 s\u0129 l\u01b0u tr\u00fa t\u1ea1i Villa S\u00e0i G\u00f2n (Vi\u1ec7t Nam) v\u00e0 Grenoble (Troisi\u00e8me Bureau\/MC2) \u0111\u1ec3 vi\u1ebft d\u1ef1 \u00e1n Circulations Capitales c\u1ee7a m\u00ecnh, \u0111\u01b0\u1ee3c s\u00e1ng t\u00e1c v\u00e0o th\u00e1ng 9 n\u0103m 2019 t\u1ea1i Th\u00e9\u00e2tre du Canal (Redon). N\u0103m 2021, c\u00f4 s\u00e1ng t\u00e1c v\u1edf \u201cAkila, le tissu d\u2019Antigone\u201d t\u1ea1i THV (GO festival, CDN Le Quai).<\/span><\/p>\n

K\u1ecbch b\u1ea3n c\u1ee7a c\u00f4 \u0111\u01b0\u1ee3c \u0111\u1ea1o di\u1ec5n b\u1edfi David Gauchard, Charlie Windelschmidt, Anne Bisang, Alexandre Kitchevsky, H\u00e9l\u00e8ne Souli\u00e9, v.v.<\/span><\/p>\n

C\u00e1c t\u00e1c ph\u1ea9m \u201cLe fils\u201d (\u0111o\u1ea1t gi\u1ea3i Sony Labou Tansi v\u00e0 Primeurs 2019), \u201cLes ombres et les l\u00e8vres\u201d,\u00a0 \u201cLa place du chien\u201d, \u201cAkila le tissu d\u2019Antigone\u201d \u0111\u01b0\u1ee3c ph\u00e1t h\u00e0nh b\u1edfi Lansman, t\u00e1c ph\u1ea9m \u201cHistoires de femmes et de lessives\u201d \u0111\u01b0\u1ee3c ph\u00e1t h\u00e0nh b\u1edfi \u201cLes Deux Corps\u201d, t\u00e1c ph\u1ea9m \u201cDeux soeurs \u00e0 l’Avant-sc\u00e8ne\u201d, \u201cNaissance\u201d \u0111\u01b0\u1ee3c ph\u00e1t h\u00e0nh b\u1edfi Th\u00e9\u00e2trales.<\/span><\/p>\n

C\u00f4 s\u1ed1ng v\u00e0 l\u00e0m vi\u1ec7c gi\u1eefa Rennes v\u00e0 Lille, \u0111\u1ed3ng th\u1eddi l\u00e0 th\u00e0nh vi\u00ean s\u00e1ng l\u1eadp c\u1ee7a HF Bretagne v\u00e0 D\u00e9coloniser les Arts.<\/span><\/p>\n

Julie Pareau:<\/b> nh\u00e0 d\u1ef1ng phim v\u00e0 l\u00e0m phim.\u00a0<\/b><\/p>\n

\"\"<\/p>\n

Xu\u1ea5t th\u00e2n t\u1eeb Beaux-Arts, c\u00f4 t\u1eadp trung v\u00e0o ngh\u1ec7 thu\u1eadt bi\u1ec3u di\u1ec5n. Khi c\u00f2n l\u00e0 sinh vi\u00ean, c\u00f4 \u0111\u00e3 th\u1eed nghi\u1ec7m l\u00e0m video trong th\u1ebf gi\u1edbi \u00e2m nh\u1ea1c \u0111i\u1ec7n t\u1eed, h\u1ee3p t\u00e1c v\u1edbi c\u00e1c nh\u1ea1c s\u0129, bi\u1ec3u di\u1ec5n tr\u1ef1c ti\u1ebfp v\u00e0 s\u1eafp \u0111\u1eb7t video.\u00a0<\/span><\/p>\n

T\u1eeb n\u0103m 2008, Julie Pareau \u0111\u00e3 b\u1eaft \u0111\u1ea7u s\u00e1ng t\u00e1c cho k\u1ecbch v\u00e0 ngh\u1ec7 thu\u1eadt khi\u00eau v\u0169. C\u00f4 \u0111\u1eb7c bi\u1ec7t h\u1ee3p t\u00e1c v\u1edbi David Bob\u00e9e trong v\u1edf \u00ab This is the end \u00bb, n\u0103m 2011, v\u00e0 trong c\u00e1c chuy\u1ebfn l\u01b0u di\u1ec5n c\u1ee7a v\u1edf \u00ab F\u00e9es \u00bb (2009), \u00ab Rom\u00e9o et Juliette \u00bb (2012\/2013), \u00ab Lucr\u00e8ce Borgia \u00bb (2015), v\u00e0 h\u1ee3p t\u00e1c v\u1edbi Myriam Marzouki trong c\u00e1c v\u1edf \u00bb Le d\u00e9but de quelque chose \u00bb (Festival d’Avignon 2013), \u00ab Ce qui nous regarde \u00bb n\u0103m 2016. C\u00f4 h\u1ee3p t\u00e1c v\u1edbi Marine Bachelot Nguyen t\u1eeb n\u0103m 2008: trong c\u00e1c t\u00e1c ph\u1ea9m \u00ab Artemisia Vulgaris \u00bb (2008), \u00ab Les ombres et les l\u00e8vres \u00bb (2016) v\u00e0 \u00ab Circulations Capitales \u00bb (2019). N\u0103m 2013, c\u00f4 th\u1ef1c hi\u1ec7n clip \u00ab On top of the world \u00bb cho ngh\u1ec7 s\u0129 electro-pop ng\u01b0\u1eddi Berlin Ninca Leece, c\u0169ng nh\u01b0 m\u1ed9t b\u1ed9 video tr\u1ef1c ti\u1ebfp cho chuy\u1ebfn l\u01b0u di\u1ec5n \u1edf Ch\u00e2u\u00a0 u (H\u00e0 Lan, \u0110\u1ee9c, \u00dd, B\u1ec9). N\u0103m 2019, c\u00f4 \u0111\u1ea1o di\u1ec5n video \u00e2m nh\u1ea1c I Have You cho nh\u00f3m nh\u1ea1c cold-wave Tchewsky & Wood \u1edf Rennes.<\/span><\/p>\n

T\u1eeb n\u0103m 2009, c\u00f4 \u0111\u00e3 h\u1ee3p t\u00e1c v\u1edbi Maud le Pladec, bi\u00ean \u0111\u1ea1o m\u00faa v\u00e0 gi\u00e1m \u0111\u1ed1c Trung t\u00e2m Bi\u00ean \u0111\u1ea1o Orl\u00e9ans, c\u00f4 s\u1ea3n xu\u1ea5t c\u00e1c b\u1ea3n ghi \u00e2m c\u00e1c bu\u1ed5i bi\u1ec3u di\u1ec5n c\u0169ng nh\u01b0 c\u00e1c \u0111o\u1ea1n teaser: Professor (2009), Kammerspiel (2010), Poetry (2011), Democracy (2014), Hunted (2015), Concrete (2015), Twenty-seven perspectives (2018), Counting stars with you (2021).<\/span><\/p>\n

Alice Gill-Kahn:<\/b> nh\u00e0 thi\u1ebft k\u1ebf \u00e1nh s\u00e1ng v\u00e0 qu\u1ea3n l\u00fd s\u00e2n kh\u1ea5u. \u00a0\u00a0 \u00a0<\/b><\/p>\n

\"\"<\/p>\n

C\u00f4 \u0111\u01b0\u1ee3c \u0111\u00e0o t\u1ea1o v\u1ec1 k\u1ef9 thu\u1eadt v\u00e0 \u00e1nh s\u00e1ng t\u1ea1i Prisme v\u00e0 t\u1ea1i Institut G\u00e9n\u00e9ral des Techniques du Spectacle \u1edf Grenoble v\u00e0o n\u0103m 2004-2005. Sau \u0111\u00f3, c\u00f4 l\u00e0m vi\u1ec7c trong c\u00e1c n\u01a1i kh\u00e1c nhau \u1edf Brittany v\u00e0 Paris: Le Th\u00e9\u00e2tre National de Bretagne, Le\u00a0 Mus\u00e9e de la Danse, le Grand Logis, le Triangle Cit\u00e9 de la danse, Le C.D.D.B \u00e0 Lorient, La MC93, Le Th\u00e9\u00e2tre de\u00a0 M\u00e9nilmontant v.v…\u00a0\u00a0<\/span><\/p>\n

T\u1eeb n\u0103m 2006, c\u00f4 l\u00e0m vi\u1ec7c trong m\u1ed9t s\u1ed1 c\u00f4ng ty s\u00e2n kh\u1ea5u, khi\u00eau v\u0169 v\u00e0 ngh\u1ec7 thu\u1eadt \u0111\u01b0\u1eddng ph\u1ed1 v\u1edbi t\u01b0 c\u00e1ch l\u00e0 nh\u00e0 thi\u1ebft k\u1ebf \u00e1nh s\u00e1ng v\u00e0 qu\u1ea3n l\u00fd s\u00e2n kh\u1ea5u. C\u00f4 h\u1ee3p t\u00e1c v\u00e0 k\u00fd k\u1ebft c\u00e1c thi\u1ebft k\u1ebf \u00e1nh s\u00e1ng \u0111\u1ea7u ti\u00ean c\u1ee7a m\u00ecnh trong \u201cMoutons Noirs\u201d, n\u01a1i c\u00f4 \u0111\u00e3 tham gia v\u00e0o nhi\u1ec1u v\u1edf di\u1ec5n k\u1ec3 t\u1eeb n\u0103m 2010. C\u00f4 l\u00e0m vi\u1ec7c v\u1edbi L’Unijambiste cho v\u1edf \u00ab Les R\u00e9sidents \u00bb v\u00e0 \u00ab Le fils \u00bb, v\u1edbi Sergio Grondin v\u00e0 Karambolaz cho v\u1edf \u00ab Kok Batay \u00bb v\u00e0 \u00ab Maloya \u00bb, v\u1edbi S\u00e9bastien Barrier cho v\u1edf \u00ab Savoir enfin qui nous buvons \u00bb v\u00e0 \u00ab Gus \u00bb, cho \u00ab Quatuor Debussy \u00bb \u1edf Eg\u00e9ries, v\u00e0 v\u1edbi c\u00f4ng ty 52 Hertz cho vi\u1ec7c s\u00e1ng t\u00e1c v\u1edf \u00ab Sir\u00e8nes \u00bb v\u00e0o n\u0103m 2022.<\/span><\/p>\n

LUMI\u00c8RE D’AO\u00dbT<\/b> l\u00e0 m\u1ed9t \u0111o\u00e0n k\u1ecbch g\u1ed3m c\u00e1c t\u00e1c gi\u1ea3-\u0111\u1ea1o di\u1ec5n \u0111\u01b0\u1ee3c th\u00e0nh l\u1eadp n\u0103m 2004 t\u1ea1i Rennes. T\u1eadp trung v\u00e0o s\u00e1ng t\u00e1c v\u0103n ng\u00e0y nay, \u0111o\u00e0n k\u1ecbch cung c\u1ea5p c\u00e1c v\u1edf k\u1ecbch trong nh\u00e0 h\u00e1t, k\u1ecbch ngo\u00e0i tr\u1eddi, c\u00e1c bu\u1ed5i tr\u00ecnh di\u1ec5n… \u0110o\u00e0n k\u1ecbch quy t\u1ee5 t\u00e1c gi\u1ea3 ki\u00eam \u0111\u1ea1o di\u1ec5n Marine Bachelot Nguyen, Alexis Fichet, Alexandre Kitchevsky v\u00e0 c\u00e1c t\u00e1c gi\u1ea3 Nicolas Richard, Laurent Quinton, Juliette Pourquery de Boisserin.<\/span><\/p>\n

\u00ab T\u1ef1a nh\u01b0 m\u1ed9t cu\u1ed1n t\u1ea1p ch\u00ed v\u0103n h\u1ecdc, nh\u1eefng ngh\u1ec7 s\u0129 tr\u1ebb \u1edf Rennes t\u1ea1o th\u00e0nh m\u1ed9t t\u1ed5 ch\u1ee9c h\u1ed7 tr\u1ee3 l\u1eabn nhau \u0111\u1ec3 c\u00e1c s\u00e1ng t\u00e1c v\u00e0 ch\u1ee7 \u0111\u1ec1 m\u00e0 h\u1ecd quan t\u00e2m g\u00e2y \u0111\u01b0\u1ee3c ti\u1ebfng vang \u0111\u1ebfn v\u1edbi c\u00f4ng ch\u00fang. V\u1edbi vai tr\u00f2 l\u00e0 \u0111\u1ea1o di\u1ec5n v\u00e0 t\u00e1c gi\u1ea3, h\u1ecd t\u1ea1o ra m\u1ed9t s\u00e2n kh\u1ea5u m\u1edbi, bi\u1ec3u di\u1ec5n v\u1edbi nhi\u1ec1u h\u00ecnh th\u1ee9c v\u00e0 c\u00e1c ho\u1ea1t \u0111\u1ed9ng kh\u00e1c nhau nh\u01b0: bi\u1ec3u di\u1ec5n ngo\u00e0i tr\u1eddi, \u0111\u1ecdc th\u01a1, h\u1ed9i th\u1ea3o vi\u1ebft v\u0103n. Ch\u1ee7 \u0111\u1ec1 th\u1ea3o lu\u1eadn c\u1ee7a h\u1ecd l\u00e0 ch\u00ednh tr\u1ecb v\u00e0 th\u01a1 ca.\u00a0\u00bb \u2013 Aude Lavigne \u2013<\/span><\/i><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Vi\u1ec7n Ph\u00e1p t\u1ea1i Vi\u1ec7t Nam v\u00e0 Lumi\u00e8re d\u2019ao\u00fbt tr\u00e2n tr\u1ecdng gi\u1edbi thi\u1ec7u V\u1edf k\u1ecbch NH\u1eeeNG TH\u00c2N TH\u1ec2 NHI\u1ec4M \u0110\u1ed8C c\u1ee7a \u0110\u1ea1o di\u1ec5n Marine Bachelot Nguy\u1ec5n, d\u1ef1a theo c\u00e2u chuy\u1ec7n v\u1ec1 cu\u1ed9c \u0111\u1eddi b\u00e0 Tr\u1ea7n T\u1ed1 Nga, \u0111\u00e3 \u0111\u01b0\u1ee3c c\u00f4ng di\u1ec5n t\u1ea1i Festival Avignon danh gi\u00e1. Th\u1eddi gian: 19h30, ng\u00e0y 05\/11\/2024 \u0110\u1ecba \u0111i\u1ec3m: IDECAF, 28 L\u00ea […]<\/p>\n","protected":false},"author":9,"featured_media":95723,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13308,2016],"tags":[16648,36780,36779,15046],"class_list":{"0":"post-95717","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-hot-pot","8":"category-sach-phim-kich-giai-tri","9":"tag-lavyon","10":"tag-marine-bachelot-nguyen","11":"tag-nhung-than-the-nhiem-doc","12":"tag-vien-phap-tai-viet-nam"},"_links":{"self":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts\/95717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/comments?post=95717"}],"version-history":[{"count":0,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/posts\/95717\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/media\/95723"}],"wp:attachment":[{"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/media?parent=95717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/categories?post=95717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lavyon.com\/vi\/wp-json\/wp\/v2\/tags?post=95717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}